Indian Art in the Mughal Era

The Musicals introduced many new things to Indian culture, one being monumental tomb architecture such as the world-famous Tag-Mall. Hindus and Buddhist always cremated their dead so burial was a new custom all together. Along with this came the written word of sacred manuscript text In the form of decorative calligraphy. Beautiful Arabic passages from the Quern are Inscribed throughout the Tag-Mall. A very interesting way in which Hinduism and Islam were reconciled in McHugh India was through religious art, particularly in the form of the classic Indian epic, ‘The Ramadan’.
The Ramadan’ tells the story of the great prince/god, Ram, who is actually and incarnation of Vishnu, and his quest to save his beautiful wife, Sits, from the terrifying demon-king, Raven. During this time, The Ramadan’ was depicted by both the Hindu Ragouts and the Islamic Musicals, which shows the adaptability of The Ramadan’, of which there were in fact many different versions. The Musicals produced a version of ‘The Ramadan’ in 1600 and the Ragouts produced theirs in 1720. The McHugh King, Kafka, had a Persian translation of The Ramadan’ created which is known as ‘The Freer Ramadan’.
The Ragout style of art depicting ‘The Ramadan’ was more of a traditional Indian style and used large areas of sold, bright colors with more simple and less realistic looking figures and objects. The McHugh style used to depict The Ramadan’ was obviously heavily influenced by traditional Islamic art and was softer and more naturalistic. Over time more versions of ‘The Ramadan’ came to be, although, beginning in the sass’s the McHugh Empire is declining and no longer values Hindu texts like The Ramadan’ as it had before. Nevertheless, the ‘Siege of Lankan’ series of The Ramadan’ was commissioned by the Ragout ruler, Dally Sings, In 1725.

I find this Interesting because Hinduism and Islam are two religions and belief systems that are so fundamentally different from each other, and yet they are reconciled here In the form of art. It is very interesting and somewhat surprising that the Islamic rulers would be so accepting of Hindu texts and culture. ‘Tale of two Remnants Indian art in the McHugh Era with this came the written word of sacred manuscript text in the form of decorative calligraphy. Beautiful Arabic passages from the Curran are inscribed throughout the the terrifying demon-king, Raven.
During this time, ‘The Ramadan’ was depicted The Ramadan’, of which there were in fact many different versions. The Musicals 1720. The McHugh King, Kafka, had a Persian translation of ‘The Ramadan’ created looking figures and objects. The McHugh style used to depict ‘The Ramadan’ was texts like ‘The Ramadan’ as it had before. Nevertheless, the ‘Siege of Lankan’ series of ‘The Ramadan’ was commissioned by the Ragout ruler, Dalai Sings, in 1725. I find this interesting because Hinduism and Islam are two religions and belief systems that are so fundamentally different from each other, and yet they are reconciled here in the